{"id":29329,"date":"2023-10-12T14:58:04","date_gmt":"2023-10-12T14:58:04","guid":{"rendered":"https:\/\/villabornancini.it\/?page_id=29329"},"modified":"2024-10-08T13:22:19","modified_gmt":"2024-10-08T11:22:19","slug":"le-vie-dei-tabernacoli","status":"publish","type":"page","link":"https:\/\/villabornancini.it\/en\/le-vie-dei-tabernacoli","title":{"rendered":"Route of the Tabernacles<\/span>"},"content":{"rendered":"

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Return to Other Routes<\/a><\/form>\n

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\nIntroduction<\/span><\/strong><\/summary>\n

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By bicycle, to discover our territory: for many years, with this itinerary we have been offering a \"different\" journey, immersed in greenery, between countryside, villages and ancient churches. Everyone... have a good ride!<\/span><\/p>\n<\/details>\n

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\nDescription of the route (km 39)<\/span><\/strong><\/summary>\n

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Our route begins at Villa Bornancini<\/strong>, we turn left and then left again onto Via Umberto Grandis\/SP78 we continue on SP28 and after 3.3 km we turn right onto Via Giai and after 350 meters we turn on the right then after 1.7 km we turn right onto Via Levada\/SP16, take the first road on the left Via Piave and after 1.7 km we will arrive at the Visitation<\/strong> Tabernacle.
\nWe continue on Via Piave for 450 meters then turn right onto Via S.Pietro which will take us to the Church of S.Pietro<\/strong>.
\nWe continue on Via S.Pietro for 120 meters and turn left then right onto Via Bagnarola which after 1.1 km will take us to the Tabernacolo Addolorata<\/strong>.
\nWe continue straight on Via Alessandro Manzoni, at the roundabout we take the second exit onto Via Bagnara which will take us to the Tabernacle of San Liberale<\/strong>.
\nWe turn left onto Via S.Francesco and after 450 meters we turn left onto Via Sant'Angelo, after 50 meters we turn left onto Via Boldara, we continue for 1.6 km. Then we turn left and immediately right and follow the river Lemene up to Via Trieste, we turn left and remain in Via Trieste and after 400 meters we turn left onto Strada Regionale 463 and after 70 meters we will find the Tabernacle of St. Anthony of Padua<\/strong>.
\nWe go back on Strada Regionale 463, turn left and continue on Via Teglio, at the end we turn left on Via Udine\/SP93 and immediately right on Via Portogruaro\/SP91, after 1.7 km it makes a slight bend to the right and becomes Via Ponte Nuovo, at the crossroads we turn left onto Via Lugugnana, after 300 meters we turn left onto Piazza Guglielmo Marconi\/SP91 and take the first street on the right Via Chiesa which will take us to the Tabernacle of Sant'Antonio Abate<\/strong> .
\nWe go back and turn left, continue straight on Via I.Nievo and after 200 meters we will arrive at the Tabernacle of San Gregorio<\/strong>.
\nWe continue on Via I.Nievo for 300 meters and we will find the Tabernacle of St. Anthony of Padua<\/strong>.
\nWe continue on Via I.Nievo for 1 km and we will find the Tabernacle of Sant'Antonio Abate<\/strong>.
\nWe continue straight on SP91 which will become Via Castello for 900 meters and we will find the Tabernacle of San Carlo<\/strong>.
\nWe go back on Via Castello to the crossroads and turn left onto Via Carlo Altoviti\/SP73, after 230 meters we will find the Tabernacle of Santa Sabida<\/strong>.
\nWe continue on Via Carlo Altoviti\/SP73 for 580 meters then we keep right on Via Silvio Pellico and after 150 meters, at the crossroads we will find the Crucifix<\/strong>.
\nWe turn right onto Via Cesare Battisti\/SP73 which will become Via Fossalato and continue for 2.2 km. then we turn left onto Via del Pascolo and after 270 meters right onto Via Ronchi, we continue for 1.6 km and then we turn right remaining on Via Ronchi, after 130 meters we turn right onto Viale Isonzo then we turn left and immediately right onto Via Isonzo, after 250 meters we turn left onto Borgo S.Gottardo and after another 250 meters we continue straight onto Corso Martiri della Libert\u00e0 , after 270 meters we turn left onto Calle Stretta and then left onto Via Molini, here we will find the Tabernacle of Madonna della Pescheria<\/strong>.
\nWe go back along Corso Martiri della Libert\u00e0 up to the crossroads and turn left onto Via Abbazia, take the first road on the right Borgo S. Nicol\u00f2, at the end we turn left along the Lemene river for 270 meters then we turn right towards Viale Stazione and after 160 meters left onto Via Cimetta, we turn right and then left onto Viale Stazione, after 120 meters we turn left onto Via A.Diaz and immediately afterwards right onto Via Solferino, we continue for 560 meters on the street and then turn left onto Via Palestro and we continue straight on Via Bassa di Portovecchio which will take us to the Tabernacle of San Rocco<\/strong>.
\nWe continue on Via Bassa di Portovecchio for 1.8 km. Then at the roundabout we take the second exit onto Via Frassinedo which will take us after 650 meters to the Tabernacle of San Marco<\/strong>.
\nWe continue on Via Frassinedo for 750 meters and we will arrive at the Church of Santa Elisabetta<\/strong>.
\nWe continue on Via Frassinedo which will become Via Portogruaro for 1.5 km and we will arrive at the small church of Sant'Angelo<\/strong>.
\nWe turn left onto Via Guglielmo Marconi and continue straight on Via Roma SP76 for 700 meters then we turn right onto Via Belfiore, continue for 1.2 km. then we turn left onto Via Abbazia and after 300 meters right onto Via delle Buse, we continue for 1.2 km then we turn left into Localit\u00e0 Mure\/SP28 which will become Via Umberto Grandis\/SP78 and we will arrive in Cinto Caomaggiore.
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\nVersiola<\/span><\/strong>
\n<\/span><\/summary>\n

 
\n 
\nThe Visitation<\/span><\/strong>
\n 
\n\"\"<\/a>The chapel known as \"della Visitazione\", located in the center of the hamlet of Versiola, was originally dedicated to Saints Benardino and Daniele; The first document that sees the small building dedicated to the Visitation of the Virgin Mary dates back to 1700.
\nInside the very simple church, in addition to the altar with the sacred stone and a plaster statue of the Madonna, the altarpiece is notable. This original oil work, perhaps dating back to the 16th century and restored in 1973, presents three different themes: at the bottom left is San Bernardino da Siena, on the right you can see the figure of the prophet Daniel, while at the top the canvas is dedicated to \u201cVisitation\u201d.altarpiece
\nThis last depiction deserves a mention for its extreme originality; in fact, it seems that the artist did not present the correct biblical exegesis and instead revisited the scene by not adhering to the canonical form that we know both from the Gospel story and from the Second Joyful Mystery of the Rosary.
\n\u201cThe painting in fact shows us the Madonna in an advanced state of motherhood, with her cousin Elizabeth and her husband, Zechariah, while Saint Joseph is on her right, the only saint depicted without a halo. The striking thing is that this group has no correspondence in the biblical story, which does not foresee at that moment either the presence of Saint Joseph and Saint Zechariah, nor the advanced state of maternity of Mary, then in the third month of pregnancy.<\/span><\/p>\n<\/details>\n

\nBagnarola<\/span><\/strong><\/summary>\n

 
\n 
\nSaint Peter<\/span><\/strong>
\n 
\n\"\"<\/a>The origin of this small church dedicated to Saint Peter the Apostle dates back to around the 11th - 12th century.
\nThe architectural structure, in Romanesque style, consists of a rectangular hall, with a trussed ceiling, a 'sawtooth' eave line, San Pietro cocciopesto floor and a semicircular apse with a lowered arch opening.
\nThe old masonry is made up of heterogeneous recycled material, such as brick from the Roman era, arranged in a 'herringbone' pattern.
\nOver the centuries the building underwent various alterations, most evident on the fa\u00e7ade wall; even the original bell vault has disappeared, now replaced by a small iron bell tower.San Pietro Inside, on the old walls faint traces of paintings and decorations are visible, often overlapping, frescoed between the 12th and 16th centuries, while in the nave it is A bronze statue of Saint Peter, the work of the sculptor Fiorenzo Bacci, was recently installed.
\nIn the external area, during an archaeological investigation, some burials came to light, assigned to the late medieval period.
\nAround 1960, neglect and then abandonment reduced the church to the state of ruins. A group of volunteers reacted to such desolation, forming a committee, determined to restore the integrity of the old building with new wall partitions, non-invasive compared to the pre-existing ones. stop at San Pietro
\nOn 29 June 1997, the completely restored church was returned to its community and reopened for worship.
\nSimon, a fisherman from Capernaum, an apostle, called Peter, was chosen by Jesus to be the foundation of the Church. In his preaching he went as far as Rome where he died martyred at the time of the emperor Nero, between 64 and 67.<\/span><\/p>\n<\/details>\n

\nBagnara<\/span><\/strong>
\n<\/span><\/summary>\n

 
\n 
\nThe Sorrowful<\/span><\/strong>
\n 
\n\"\"<\/a>It is located in Bagnara, at the crossroads of the roads to Sesto al Reghena and Bagnarola, on the site where a modest altarpiece dedicated to Santa Sabina once stood, which time had deteriorated badly.
\nThe oratory of Our Lady of Sorrows was built in 1930, with the generous contribution of the entire population.
\nThe wooden statue of Our Lady of Sorrows was placed in the oratory, which the Bagnaresi previously venerated in the oratory of San Pietro on the border between Bagnara and Bagnarola. Having claimed the exclusive use of this oratory by the neighboring parish, the faithful of Bagnara transferred \"their statue\" to the oratory we are talking about, built precisely for this purpose.
\nThe population's devotion to Our Lady of Sorrows is manifested in a particular way on the third Sunday of September, when a solemn Holy Mass is celebrated in the oratory and the simulacrum of Our Lady of Sorrows is carried in procession.
\nThe cult of the Blessed Virgin of Sorrows most likely derives from the sacred representations of Holy Week. Her veneration is associated with the Passion of Christ and her motherhood, at the cross of Jesus, takes on universal dimensions. She is depicted pierced in the chest with one or seven swords; sometimes her heart is visible.<\/span>
\n 
\nSaint Liberal<\/span><\/strong>
\n 
\n\"\"<\/a>It was located in Bagnara in a position that obstructed traffic, so much so that those responsible decided to demolish it and rebuild it not far away, on the edge of the road. It measured m. 2 per m. 2.50 and in height m. 3; it had been built in 1947 on the initiative of a parishioner, in reparation for the serious insults hurled against the parish priest and the blasphemies he had uttered in the square on a night of revelry. The old oratory, dedicated to the 3rd century martyr soldier San Liberale, featured a brick altar table and a wooden statue of the Saint, which was unfortunately stolen after its transfer to the new building. towards CintelloThe latter, which remained empty for a long period, now presents itself with the new statue recently placed.
\nSan Liberale, patron saint of Treviso and Castelfranco Veneto, was born in Altino, the ancient Roman city between Padua and Aquileia, to a rich, noble, pagan family of equestrian rank. From a young age he wanted to become a soldier and converted to Christianity with the aim of doing penance, helping the poor and praying.<\/span><\/p>\n<\/details>\n

\nCintello<\/span><\/strong>
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\n 
\nSaint Anthony of Padua<\/span><\/strong>
\n 
\n\"\"<\/a>The small oratory of Sant'Antonio da Padova, mentioned in documents since the early 1500s, stands at the beginning of the town not far from the ancient Roman road that went up from Julia Concordia towards Norico, a detail which further highlights its ancient origins. Originally dedicated to Sant'Urbano, a saint invoked for rain, it was the destination of an annual procession which took place on May 25th (Saint Urban's day) during which the blessing of the animals was imparted, this also explains the veneration in the chapel of Sant'Antonio Abate. Only during the 1900s did devotion to the Saint of Padua become established, which soon caused the dedication of the oratory to change.
\nThe building, already renovated in the 18th century and the result of an expansion that took place in 1921, has recently been restored.<\/span><\/p>\n<\/details>\n

\nTeglio Veneto<\/span><\/strong>
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\n 
\nSaint Anthony the Abbot<\/span><\/strong>
\n 
\n\"\"<\/a>The layout of the church, as shown by some architectural details starting from the external arching, dates back to the second half of the 15th century, and has been linked since its origins to the brotherhood dedicated to Sant'Antonio Abate. marble inlay. Inside, part of the original pictorial decoration from the 15th century (two frescoes with the image of San Sebastiano, one of which dated 1492, and another with Sant'Antonio da Padova) and the 16th (Santa Agata and Baptism of Jesus and other almost illegible traces). Also noteworthy is the presence of some paintings: the Eternal Father blessing (16th-17th century), the transit of Saint Joseph and the ecstasy of Saint Anthony the AbbotSant'Antonio da Padova (late 17th century, already placed on the side altars dated 1738) and the Virgin and Child between Saints Rocco and Sebastiano by Sante Conti (1871). Of particular value is also the marble inlay on the frontal of the main altar (seventeenth-century, but certainly older than this) depicting Sant'Antonio Abate. The portico in front, the result of a later intervention (end of the 16th or beginning of the following century), was one of the places - together with the adjacent 16th century house of the municipality and seat of the brotherhood of Sant'Antonio Abate - of meetings of the heads of the families of the municipality who they met to deliberate on issues relating to the life of the civil and religious community of Teglio.
\nSaint Anthony the Abbot lived in Egypt between 251 and 356. He lived as a hermit and from 306 dedicated himself to the disciples of the Church, intervening in important doctrinal issues and supporting persecuted Christians. The cult of him spread towards the Middle Ages; represented dressed as a hermit with a T-shaped stick, a bell and a pig, he is invoked against herpes zoster, the so-called \"St. Anthony's fire\". He is the protector of butchers, basket makers and domestic animals.<\/span>
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\nSaint Gregory<\/span><\/strong>
\n 
\n\"\"<\/a>It stands in Teglio Veneto, near the parish church and very close to the oratory of Sant'Antonio Abate.
\nInside, the altar table rests on a brick column and, in the background, there is the altarpiece painted with acrylic colours. The ancient fresco was illegible and unrecoverable, so the task of repainting it was entrusted to Don Giuseppe Pellarin. The result is a work with San Gregorio I in the centre, with Santa Chiara della Croce on the left and with San Domenico Savio on the right. The oratory measures m in width. 2, in depth m. 3 and is m tall. 3.20.
\nIt is not common in our area to have tabernacles dedicated to Saint Gregory the Great (around 540-604) or to see Saint Clare of the Cross of Montefalco (1275-1308) painted, nor the juxtaposition of the two Saints with Saint Dominic Savio who It is from the 19th century. altarpiece in San GregorioWe wanted to underline the continuity of the holiness of our Church, with a Saint of the first centuries, with a Saint of the Middle Ages and with a Saint of our times and that we are all called to holiness: a holy priest, a holy woman , a holy boy. Saint Gregory the Great, belonging to an important Roman family, having completed his studies in law, was appointed governor of Rome. After a few years he chose monastic life and dedicated himself to the needy. Pope since 590, he leaves behind several writings of a pastoral, moral and spiritual nature. He is represented in papal clothes with the book in his hand and the dove as a sign of the inspiration of the Holy Spirit. Protector of musicians, singers, producers of trimmings and buttons, teachers and popes, he is invoked against the plague and gout.<\/span>
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\nSaint Anthony of Padua<\/span><\/strong>
\n 
\n\"\"<\/a>In Via Italo Nievo, in Teglio, on the road to Fratta, there is the tabernacle dedicated to Saint Anthony of Padua.
\nIn the oratory in question, there was an old statue of the Saint who received the simple and sincere homage of many devotees who passed along the road. On the night between 8 and 9 May 1982, a classic \"thieves' night\" (rain, wind, lightning and thunder), the statue was stolen and there has been no news since. The old statue, for a long time kept in the oratory of Sant'Antonio Abate (also in Teglio), dates back to the eighteenth century. All the families of the village then decided to purchase a new statue, thus demonstrating their deep and sincere feeling of devotion towards the Saint.
\nSaint Anthony of Padua, born in Lisbon in 1195, became a Franciscan friar and gifted with the art of oratory, he was a preacher and taught in various universities in Europe. He settled in Padua, died in 1231 and was canonized in 1232. In 1946 he was declared Doctor of the Church. Saint of great popularity throughout the world, protector of orphans, prisoners, shipwrecked people, pregnant and sterile women, sick children, glassmakers and recruits.<\/span><\/p>\n<\/details>\n

\nFratta<\/span><\/strong>
\n<\/span><\/summary>\n

 
\n 
\nSaint Anthony the Abbot<\/span><\/strong>
\n 
\n\"\"<\/a>At the end of the bridge that crosses the motorway in via Venchiaredo in Fratta, on the right, there is an altarpiece now dedicated to Sant'Antonio Abate, recently restored, which tradition has it is what remains of a previous church demolished in 1821. It is thus difficult to make hypotheses on the typology of the building, so as not to allow assumptions on its origin. Some archival sources remain, among which the report of the pastoral visit of Bishop Cappello on 19 May 1663 provides at least a brief description: Sacello under the title of the Blessed Virgin Mary and of Saint Anthony of Padua, recently enlarged in Fratta, parish of Teglio Veneto by P. Pasqualino Brunetti, curate of Teglio and by the Ill. Pisoni of Venice.
\nThe current painting in the altarpiece depicting Sant'Antonio Abate was created by Don Giuseppe Pellarin.<\/span>
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\nSt. Charles<\/span><\/strong>
\n 
\n\"\"<\/a>It is located approximately halfway along the municipal road that in the past led from Fossalta to the hamlet of Fratta. The historical sources are more substantial than other sacred buildings, and it is sufficient to scroll through the map of the Fratta Castle, drawn up by the expert Arcangelo Bruni on 6-11-1673, fresco in San Carlo, to identify along the road mentioned above, the small church called of San Carlo.
\nFrom the analysis of the frescoes it does not appear that the building was originally dedicated to San Carlo, but to the Madonna and Child who, in the background, can be seen as the main sacred image; cult confirmed by the passage of the rogations that wound their way through the country roads. In the fresco, on the right of the Madonna, a Saint appears who offers few distinctive iconographic signs; fresco of Sant'Antoniofresco of San Marco Evangelista Sant'Antonio is recognizable on the left wall, while on the right the Saint can be compared to San Marco Evangelista.
\nSaint Charles, born in Arona in 1538, bishop and cardinal of Milan, is remembered for his intense pastoral activity and his charitable works during the period of plague; protector of the clergy, catechists and starch producers.
\nBefore leaving Fratta we recommend a visit to the \"Cortino di Fratta\", with its beautiful park, now the Neviano museum and multipurpose cultural center where various archaeological finds from the castle of the same name are kept.<\/span>
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\nSan Sabida<\/span><\/strong>
\n 
\n\"\"<\/a>Tradition dedicates the small chapel located along the provincial road that leads from the hamlet of Fratta to Portogruaro to Santa Sabida. fresco in Santa SabidaA very ancient cult of Santa Sabida, not attributable to a Saint named Sabida, but to the popular and country rite of celebrating Saturday as a feast day, rather than Sunday; inside, in the uncertain venerated iconography, there is the central fresco of a Saint holding a twig of evergreen in her hand. fresco in Santa SabidaTo the left of the Santa San Zenone bishop or San Biagio bishop; the signs that distinguish them are not legible, both are justified as the Parish Church of Fossalta is dedicated to the first, and the second is venerated in another hamlet; on the right Saint Anthony with the Child; on the ceiling the dove image of the Holy Spirit: On the attribution of these frescoes the opinions are conflicting and do not seem to be confirmed.<\/span><\/p>\n<\/details>\n

\nGorgo Borgo Antico<\/span><\/strong>
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\nCrucifix<\/span><\/strong>
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\n\"\"<\/a>rom the road that leads from Fratta to Portogruaro we enter Gorgo in the Borgo Antico and in front of an old wash house surrounded by three fountains there is an interesting and particular Crucifix: it was made from a tool that was once used to harvest beets, \" el forchin par le bietoe\u201d (it was created by Mr. Carlo Nosella, a local resident).<\/span><\/p>\n<\/details>\n

\nPortogruaro<\/span><\/strong>
\n<\/span><\/summary>\n

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Madonna of the fish market<\/span><\/strong><\/p>\n

 
\n\"\"<\/a>The oratory is located in Portogruaro on the banks of the Lemene, near the mills of Sant'Andrea. The devotion to the Madonna della Pescheria dates back to the first half of the 17th century.
\nIt is interesting to note how the permission to build the first wooden oratory was granted by the mayor of Caorle. It was in fact an ancient custom, which became law and remained in force until a few years ago, that the fish trade in Portogruaro took place in the fish market by fishermen from Carole. As a note posted on the door of the small oratory informs, the same, which dates back to 1627, was defaced and stripped in 1917, at the time of the Austrian invasion. It was restored and embellished in 1920 by Giuseppe Bittolo Bon. The wooden Christ lying under the altar, and which is exposed to the veneration of the faithful on Good Friday, was offered by Mrs. Antonietta Gaule Pasqualini.
\nOn August 15th, the only day of the year, the Holy Mass is celebrated in honor of the Madonna. For a few years, a nice event has been held at the Pescheria on the evening of August 15th, organized by the Pro Loco. After the recitation of the Rosary, some typical boats arrive from Carole (caorline) and Concordia (batee), led by sailors in characteristic costume with lit torches who bring fruits of the land and the sea as gifts, re-establishing those relationships between Portogruaro and Carole which they have remained alive for many centuries.<\/span><\/p>\n<\/details>\n

\nPortovecchio<\/span><\/strong>
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Saint Roch<\/span><\/strong><\/p>\n

 
\n\"\"<\/a>Along the \"low road\" of Portovecchio, on the right of the Lemene, not far from the powder magazine, you come across the tabernacle which on the front clearly bears the name of the Saint to whom it is dedicated: San Rocco.
\nIt seems to have been erected after 1631 in memory of the grace obtained due to the cessation of the plague.
\nIt is thought that this was the tabernacle that was frescoed with a Saint Rocco by the Portogruarese painter Sante Conti (1845-1904), but no trace remains of it. The old statue was stolen and then replaced with a more recent one.
\nSaint Roch of Montpellier, a hermit, lived in the 14th century. On a pilgrimage to Rome he dedicated himself to caring for plague victims. On the way home, seriously ill, he was miraculously healed by an Angel and fed by a dog. He is represented with the clothes of a pilgrim, a wound on his thigh and with a dog nearby holding a piece of bread in its mouth. He is invoked against the plague.<\/span>
\n 
\nSaint Mark<\/span><\/strong><\/p>\n

 
\n\"\"<\/a>The tabernacle in via Frassinedo on the road that leads from Portovecchio to Guaro is dedicated to San Marco Evangelista. The building, made of plastered bricks both outside and inside. fresco of San Marco EvangelistaThe roof is double-pitched, covered with curved tiles, and has three iron crosses. Inside the tabernacle has a fresco representing Saint Mark the Evangelist, half-length with the Lion of the Serenissima, who holds open a book which reads: \"Pax tibi Marce Evangelista meus\". The work is by local artist Michelin. Under the fresco there is a shelf that allows it to be used as an altar. The iron door has two doors, the ceiling is barrel-vaulted and the floor is tiled. by bike in PortovecchioSan Marco was a disciple of Jesus and an evangelist, he preached in Cyprus and Alexandria in Egypt where he was martyred. The main places of his cult are Alexandria in Egypt and Venice where his remains are found in the basilica of the same name.<\/span><\/p>\n<\/details>\n

\nBoldara<\/span><\/strong>
\n<\/span><\/summary>\n

 
\n 
\nSaint Elizabeth<\/span><\/strong>
\n 
\n\"\"<\/a>The building is located along the ancient road that connects Portovecchio to Gruaro, along the Lemene and most likely dedicated to the visit of the Virgin to her cousin Elizabeth, mother of John the Baptist. It is worth noting that bricks from the Roman era were also reused in the construction of the building.
\nThe dating, which is very uncertain, dates the church back to the 16th century, although the construction is almost certainly the remodeling of a pre-existing sacred building. The beautiful altarpiece, which represents the Madonna between Sant'Urbano and Santa Barbara, is the work of the painter Cataldo Ferrari and dated by the author himself to 1646.
\nFinally, a curiosity: contrary to the ancient rigid custom of having the altar facing east, the apse of the church faces west.
\nSaint Elizabeth, wife of Saint Zaccaria, conceived John the Baptist at an advanced age; in the sixth month of pregnancy she received a visit from Mary and at her greeting \"... her baby leaped in her womb...\" (Lk 1,41). She is the protector of sterile women and those giving birth.
\n<\/span><\/p>\n<\/details>\n

\nGruaro<\/span><\/strong>
\n<\/span><\/summary>\n

 
\n 
\nSaint Angel<\/span><\/strong>
\n 
\n\"\"<\/a>The oratory of Sant'Angelo, dedicated more precisely to San Michele Arcangelo, is now surrounded by houses; originally it was instead a rural chapel, surrounded by the \"municipal assets\" of the then \"Villa di Gruaro\". The building probably dates back to the 17th century and documents attest that it was built at the behest of the Gruarese community. A historical-architectural analysis of the church is very difficult, as it was heavily damaged during the First World War and rebuilt subsequently.
\nHowever, it is important to note that devotion to San Michele was very widespread in the Lombard era. Another very popular saint is also venerated in the church, Sant'Antonio Abate, protector of animals and invoked against the \"fire\" of the same name; this is attested by a beautiful fresco portraying him, dating back to 1616.
\nSaint Michael mentioned in the canonical texts, at the head of the celestial hosts, is depicted as a warrior with sword in hand who defeats the dragon. He is invoked for a good death.<\/span><\/p>\n<\/details>\n

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\nMap<\/span><\/strong><\/summary>\n

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